Over the course of the 200 years during which it occupied the building, the French navy left a considerable mark on the edifice that had housed the Garde-Meuble de la Couronne. Naturally, sailors enlarged and refitted the premises according to their needs and technical changes in work (electricity, telephone, internet, etc.). Yet they also redesigned the decor of this monument, which today still pays tribute to the strength of the French navy.

The gallery of military ports

When you hear the word ‘navy’, do you think ‘port’? In a gallery overlooking the court of honour, military ports are the focus of a sculpted wood decor dating back to the years 1867 to 1870. This colonial-style gallery gives pride of place to France’s five main military ports at the time: Cherbourg, Brest, Lorient, Rochefort and Toulon.

Their names are written in golden medallions on wooden panels painted to look like ebony or mahogany.


An anecdote

All the medallions are identical and capped with a star, except the one representing Rochefort, which is the other way round and capped with the monogram ‘N’ finely intertwined with the figure ‘3’, symbolising Napoleon III. Thanks to this detail, we can determine that this decor was made under the French Second Empire.


The gallery of military ports at the Hôtel de la Marine, overlooking the court of honour


The staircase of honour

The staircase of honour is a central feature in the building. It would be taken by all prestigious guests coming to the Hôtel de la Marine, especially for the many balls held in the building throughout the 19th century.

So it is not surprising that the French navy placed its mark on the staircase’s guardrail, with two large medallions representing an anchor intertwined with two dolphins.


The staircase of honour of the Hôtel de la Marine in 1922


Did you know?

Why do dolphins often symbolise the navy and sailors? The explanation actually comes from Greek mythology! One day, Dionysus, the god of wine and drunkenness, took a boat to the island of Naxos. He travelled incognito, appearing as a young mortal. During the crossing, he overheard a conversation between sailors who were planning to sell him as a slave in Asia. Furious, Dionysus transformed the sailors’ oars into snakes, and grew a huge vine that engulfed the ship, while the sound of a flute coming from nowhere terrorised the sailors. Their only escape route was to jump into the sea towards certain death. At that moment, Poseidon, god of the sea, came to the rescue of the wretched sailors and transformed them into dolphins. Having been saved, they were put in charge of helping shipwreck victims.


The salons of honour

In the first half of the 19th century, successive ministers tried to adjust the former gallery of furniture to suit their needs. At the time of the Garde-Meuble de la Couronne, this gallery was used to exhibit large items of furniture for the public. So it was very wide and not really practical.

After many aborted attempts, Admiral Mackau, appointed navy minister in 1843, set in motion a large-scale campaign to restore this gallery and turn it into a reception room and a grand dining room

The decoration of these rooms was sumptuous: white panels brought out gold sculpted wooden decor. The fireplaces around the set of rooms were given mirrors above them, which reflected the chandeliers and gold decoration on the ceilings

These rooms became the perfect backdrop to all prestigious events organised by the French state or navy ministers throughout the 19th and 20th centuries.


Salon des amiraux et salon d’honneur

The admirals room and the salon of honour have featured their current decoration since 1843.


Within the series of decorations in these salons of honour, we can see many references to the French navy and its influence:


The portraits of great naval seafarers

On the walls are portraits of famous admirals under the Ancien Régime:

  • Anne Hilarion de Costentin de Tourville: vice-admiral under Louis XIV;
  • Jean Bart: privateer from a renowned family of seafarers;
  • René Duguay-Trouin: Saint-Malo privateer who fought 80 battles;
  • Abraham Duquesne: lieutenant general of the naval armies of Louis XIV;
  • Louis-Antoine de Bougainville: navigator and explorer;
  • Charles Louis du Couëdic: navy officer who took part in the American War of Independence;
  • Claude de Forbin: 16th-century naval officer;
  • Jean-François de La Pérouse:  ship captain and explorer who disappeared at sea in 1788;
  • Pierre-André de Suffren: vice-admiral famous for his many exploits in the face of the English navy;
  • Louis-René-Madeleine de Latouche-Tréville: navy officer and politician during the French Revolution.


Portrait de Suffren dans le salon des amiraux de l'Hôtel de la Marine

Portrait of Suffren in the admirals room in the Hôtel de la Marine


Blue, white, red

Did you know?

Though it was in 1830, under the July Monarchy, that France adopted the red, white and blue flag of today, the French navy had already been using this flag since 1794. So it is hardly surprising that the navy ministry showed its attachment to the country and to the flag in the decor on the ceiling of the stately reception rooms.


Anchors and cornucopias

However, the marks that are the most subtle, even though they are omnipresent, of the French navy’s time inside the building are undoubtedly the many anchors, whether intertwined with fish and dolphins or not, and cornucopias found throughout the monument’s decor.

Especially in the salons of honour, we can see cornucopias on the doors, ship bows in the ceiling decor, mermaids on the mirror frames and more.


Detail of the ceiling decor of the salon of honour of the Hôtel de la Marine


Though the French navy left these premises in 2015, reminders of its 226 years spent there are still visible today. Come and discover the many maritime symbols in the sumptuous decor of the reception rooms of the Hôtel de la Marine, as well as the former office of the chief of staff where the navigation table traces the expeditions of France’s greatest seafarers!